February made me shiver…

97X, Concert Listings, Music

… and I’m really tired of shivering.

But I do love pie. Except for the Shepherd’s kind.

You can’t spell February without “F-U.”

Let’s warm up our weary bones with some hot live tunes.

Tomorrow night (2/20):

  • Robert Ellis plays Southgate
  • Young Heirlooms, Mol Sullivan, and Annie D are at the Northside Tavern
  • Liberty Theater has a Songwriters in the Round free show with Anthony Ray Wright and Andrew Hibbard

Kim Deal (Pixies, Breeders, Huber Heights, OH) plays a sold-out show at the Woodward Theater on Friday night. I’ll be there, along with list members Mighty Joe, Deuce, Lobby Boy, Matty V, Jarrod, Shay-Shay, and a cavalcade of stars. It’ll be like the greatest episode ever of The Love Boat

Other Friday shows:

  • Justin Wells has an album release show at Southgate, with Casey Campbell and Adam Lee also on the bill
  • Susto and Rose Hotel are at Ludlow Garage
  • Cincy Brass plays a free show at MOTR (9:30)
  • Jim Trace & the Makers (featuring two of my co-workers) play an album release show at Northside Tavern, with The Electric Indigo and The Laurelys

On Saturday, the Cabin Fever Festival takes over historic Ludlow, KY. I went last year and loved it – it’s a great showcase for the amazing roots/Americana/bluegrass talent in this area, in some really cool venues (including a Funeral Parlor!).

Needless to say, I’m going again this year. (I just hope the funeral home folks don’t try to stick me in a coffin.)

Join me, won’t you? (At the festival, not in the coffin.) Tickets are dirt cheap too – get ’em here.

Other Saturday shows:

  • Nicholas Jamerson plays Southgate, with Jonathan Peyton as the opener (I really like Jonathan’s latest release)
  • Mike Detmer has an album release show at Liberty Theater, with Rob L. Ford, and Adam Gilliam
  • Annie’s hosts Fillmore on the River 2 with the Almond Butter Band and Scarlet Fire
  • The HercuLeons (feat. Bluegrass Hall of Famer John Cowan and fiddler/vocalist Andrea Zonn) play Ludlow Garage
  • Memorial Hall has The Drowsy Lads

On Sunday, Mike Oberst and Justine Cefalu play the Rabbit Hash “Music Behind the Stove” series and Tinfoil Hat Cowboys play MOTR.

The Nasty Nati Brass Band is at Memorial Hall on Monday.

On Tuesday, Bronwyn Keith-Hynes (fiddler from Molly Tuttle’s band) is at Southgate, and the Mercantile Library’s Memoir Lecture is from Michelle Zauner, author of Crying in H Mart and also lead singer of Japanese Breakfast. (That appearance is sold-out.)

Taft Theatre has An Evening with Drew and Ellie Holcomb next Wednesday (2/26).

The Joe Stamm Band plays Whiskey City’s Liberty Theater on Thursday, Feb. 27th, with Clint Park as the opener.

The Noah Smith Band is at Liberty Theater on Friday, 2/28, and Southgate has a couple of shows going on that evening:

  • Eddie Spaghetti and “Metal” Marty Chandler from Supersuckers play the main room (Skunkdog opens)
  • Logan Ledger plays the Revival Room, with Mason Via.

Plenty o’ shows on Saturday, March 1st:

  • Robyn Hitchcock plays Southgate (I’ll be there with list member Dave Tellmann) – Robyn has a great interview on the Sound Opinions podcast
  • Noah Wotherspoon Band at Liberty Theater
  • Lydia Shae, Amy Jo, and Stone & Snow play Southgate’s Revival Room
  • Helles Belles (all-female AC/DC cover band) play Ludlow
  • The Blue Note in Harrison hosts Crown Watts: An Evening of Rush

Shows on Sunday, March 2nd:

  • Burning Caravan plays Rabbit Hash (2pm)
  • Tommy Castro & the Painkillers are in Southgate’s main Sanctuary
  • Flamy Grant and Heather Mae play the Southgate Revival Room
  • Dropkick Murphys are at the Bobby Brady
  • Comedian John Caparulo plays a 6:30 show at the Woodward

Gigs on Wednesday, March 5th:

  • Jordan Tice plays the Liberty Theater
  • Crumbsnatchers play Southgate (bio description: “Hailing from Nashville, Crumbsnatchers’ catchy songs echo the wit of Pixies and Talking Heads, backed by the fervent force of Beastie Boys.”)
  • It’s WEEN Wednesday at the Columbia – the album featured will be Pure Guava

Life is a carnival. Summer is a festival (or seven).

Bourbon & Beyond has crammed about five festival’s worth of artists into their lineup:

Nelsonville hasn’t announced their full lineup yet, but they had me at Waxahatchee, MJ Lenderman, Dehd, and Low Cut Connie.

Hear, here!

The new album from Ex-Vöid is great!

One of the principals in Ex-Vöid is Owen Williams from The Tubs. I’m obsessed.

Waxahatchee has a new non-album track out (with M.J. Lenderman on guitar and backing vocals). It’s delightful.

And Katie Crutchfield harmonizes with Patterson Hood (Drive-by Truckers) on a track from his upcoming solo release. As list member Mighty Joe Sampson says, “This is the good stuff. Harmonies to melt your ears on a cold winter day.”

The Reading Room

This article from The Atlantic is heart-breaking for any record collector, or really any music lover.

And in the WaPo, Will Leitch expresses his admiration for the way that R.E.M. did their thing, then closed up shop.

In his interview with Allmusic, Bob Mould gives a shout-out to stations like 97X:

“There were a lot of radio stations that had been around. College stations, and then stations like WLIR in New York. So, that was all part of building the firmament, as well. It was a long process. It didn’t just happen out of thin air. And WBCN, and Matt was DJing down in South Jersey. So, that late ’80s through ’91/’92, all of that was critical infrastructure, as well. It’s just funny – you know this and I know this – but there’s sort of a ‘mainstream history,’ like, ‘There was all this hair metal, and then Nevermind came, and it changed.’ There was a lot of people who did a lot of work to get to that point.”

Amen, Brother Bob! Here’s the title track from his upcoming album:

Album Cover of the Week

I picked up this gem of an album, in this condition, note and all, at the Mt. Washington St. Vincent de Paul store. (On “Senior Sunday” when I get a 25% discount!) My best guess is that the two-time owner of the album found someone who DIDN’T like piña coladas and getting caught in the rain.

Out with the old, in with the new*

Concert Listings, Music, podcast

*does not apply to the annual summer calendar of shows at Riverbend Music Center (unofficial motto: “where every year feels like 1985”)

Wow, 2024 is almost over!

We still have a few more shows before we make like Bob Seger and turn the page to 2025 (a.k.a. The Year of the Snake Rat Pig… at least in D.C.)

Shows tomorrow:

  • Marcus King plays the Hard Rock Casino
  • Rumpke Mountain Boys play Annie’s
  • Halfway Hammered plays the Liberty Theater, with Wes Shipp opening
  • The Wonderlands and Coastal Club have a holiday show within the decidedly un-festive confines of Bogart’s
  • Abiyah plays Southgate with Radar
  • Northside Tavern has Abandoned Malls of America, Moonbeau, Bear the Moon, and Knavery
  • OYOXOYO / Static Falls / Oh Condor triple bill at MOTR

Tinfoil Hat Cowboys play two sets at MOTR on Sunday.

Kate Wakefield has an album release party at The Comet on Monday.

Tuesday is New Year’s Eve (a.k.a. “Amateur Night”). Watch out for all the drunken Dicks out there!

You can ring in the new year with… Rebecca Black?

Yep, she’s at the Hard Rock Casino. Or you can enjoy “Weird Year’s Eve” at the Woodward with Ernie Johnson from Detroit and several other bands.

Madison Theater, Ovation, Ludlow Garage, and MOTR also have NYE celebrations.

[Speaking of balls dropping, New Year’s Eve also is the 60th birthday of your favorite creator of weird concert listing posts. Maybe Chrissie Hynde will stop by.]

On Thursday, Jan. 2nd, list member Keith Neltner and I will be celebrating our BDs (Keith’s is that day!) with a super-casual happy hour gathering at Camp Spring Tavern. Stop by if you’d like. First beer’s on me.

BTW, Camp Springs Tavern has live music every Thursday, Friday and Saturday all month long:

Also on 1/2, Joe’s Truck Stop kicks off two months of “Honky Tonk Thursdays” in the Southgate House Lounge.

Blanche will probably be there…

But Fred and Lamont won’t.

Next Friday, Jan. 3rd, 2025, Lez Zeppelin (“All Girls, All Zeppelin”) plays Physical Graffiti in its entirety at Ludlow Garage.

The Woodward Theater unspools a couple of classic rock docs soon:

  • Stop Making Sense on Monday, 1/6
  • Don’t Look Back (the Bob Dylan doc by D.A. Pennebaker) on Tuesday, 1/7

The Loon Wine Bar in Northside hosts a Folk Jam Session with Mike Oberst of The Tillers on Weds., Jan. 8th.

On Friday, Jan. 10th:

  • Tommy Prine plays Southgate
  • Ludlow Garage has the Pink Floyd tribute band Floyd Nation – they’ll be doing a Wish You Were Here-inspired set list and light show.

The Maria Carrelli Band plays the Liberty Theater on Saturday, 1/11, and Warren G will regulate at Bogart’s.

[Oops, my bad, that’s Warren, E (D). She’s also a big fan of regulatin’.]

On Sunday, Jan. 12th:

  • The Rabbit Hash General Store’s “Sunday Music Behind the Stove” series kicks off with The Tillers at 2pm – full slate is below.
  • The Woods (folk rock trio) and Jonathan Cody White (Cincy singer/songwriter) play a Downtowne Listening Room show at the Historic Boone County Courthouse

On Monday, 1/13, Woodward Theater screens Born Innocent: The Redd Kross Story.

(I’ve heard good things about this documentary – here’s the Sound Opinions podcast interview with Redd Kross founders, brothers Jeff & Steve McDonald.)

Shows of Note(s)

  • Kim Deal is playing the Woodward on 2/21… that show is already sold-out.
  • Robyn Hitchcock will be at Southgate on 3/1.

A screen grab of this Insta (courtesy of list member Whit Gardner) really sums up how I feel about live music:

Reading is Fundamental

Here’s Amanda Petrusich’s year-end list of favorite albums from The New Yorker.

And from that same magazine, this book review/article about Spotify is scary and depressing for true music fans.

Money quote:

The Internet was supposed to free artists from the monoculture, providing the conditions for music to circulate in a democratic, decentralized way. To some extent, this has happened: we have easy access to more novelty and obscure sounds than ever before. But we also have data-verified imperatives around song structure and how to keep listeners hooked, and that has created more pressure to craft aggressively catchy intros and to make songs with maximum “replay value.” Before, it was impossible to know how many times you listened to your favorite song; what mattered was that you’d chosen to buy it and bring it into your home. What we have now is a perverse, frictionless vision for art, where a song stays on repeat not because it’s our new favorite but because it’s just pleasant enough to ignore. 

Watch This!

Waxahatchee on NPR’s Tiny Desk… chef’s kiss!

Holiday fun(nies)

(If Baby Jesus had been born in Toronto instead of Bethlehem, he could’ve played “YYZ.”)

Album Cover(s) of the Week(s)

“A dramatic comparison to death.” Geez, that sounds like a really uplifting album. (Or me describing a two-hour “long range planning” meeting at my work.) Can’t we listen to something happier?

Ah, yes, that’s more like it. (Vestal doesn’t realize that the boys are laughing at her hairdo!)